I figured I should post something substantial before school begins for real, instead of these sporadic brief and fanciful spurts of words. So here it is.
By the way – I am typing this very first entry of the new year on my new black mac. I am very excited and pleased with this machine. And I also feel extremely welcomed to the mac family. Everyone I know using a mac has expressed their delight and joy at a new addition to the ‘hood. :) Thank you for the warm welcome, really.
Exultant feelings about my new laptop aside, there is a heavy and most depressing weight hanging around. The loss of my precious music and photos gathered painstakingly over the years is hard to bear. They’re still inside my hard disk, sort of – which is likely to be very corrupted somehow. I’ve tried to mentally prepare myself for this event to occur ever since, well, a really long time. Nothing compares to the real experience. The weariness I feel in having to source for all my music again – weighty.
Dramatic declarations aside, well at least I still have my mp3 player that has stored some of my favourites. So, technically, not all is lost. And I should be grateful for that. In fact, I should be grateful for a lot of things. Like being able to go for a wonderful trip with wonderful friends to wondrous places and having a most wonderful time. :)

And of course, after withdrawing from my music for so long I’ve indulged in it once I returned. I’ve been listening to a couple of songs on loop, some of which I feel like typing down here right now: Mattresses Underwater by Colour Revolt, Knife by Grizzly Bear, Home by Great Northern, and of course, my all time favourite Sister Winter by the awesome and most talented Sufjan Stevens. How can I even begin to describe this precious piece of music in a few lines? I think I must have posted two entries about it somewhere. Somehow, it’s always apt whenever I listen to it. It’s terribly, terribly heartwrenching; and yet always grateful, heartwarming and thankful.
Magical, eh.
Well, I have more to say but I will leave it to The Shins to do the job today. Their lyrics are just able to express stuff so beautifully in a limited number of words. Let us thank them in advance for their concise brilliance. As you know, I am quite long-winded at times. This alternative in the form of a selected lyrical expression is absolutely fantastic. Literally and figuratively, I feel it.
A cold and wet November dawn
And there are no barking sparrows
Just emptiness to dwell upon
I fell into a winter slide
And ended up the kind of kid
Who goes down Chutes Too Narrow
Just eking out my measly pipes
But I learned fast how to
Keep my head up ’cause I
Know there is this side of me that
Wants to grab the yoke from the pilot
And just fly the whole mess into the sea
Another slow train to the coast
Some brand new gory art from way on high
I sink and then I swim all night
I watch the ice melt on the glass
While the eloquent young pilgrims pass
And leave behind their trail
Imploring us all not to fail
Of course I was raised to
Gather courage from those
Lofty tales so tried and true, but
If you’re able
I’d suggest it, ’cause this
Modern thought can get the best of you
This rather simple epitaph
Can save your hide, your falling mind
Fate isn’t what we’re up against
There’s no design, no flaws to find
But I learned fast how to
Keep my head up, ’cause I
Know I’ve got this side of me that
Wants to grab the yoke from the pilot
And just fly the whole mess into the sea
The Shins – Young Pilgrims
Essentially, it simply means to stop the crap and get your damn act together. ;)

Resolutely optimistic, innit? Anyways. As you can see I’ve been indulging once again in collecting what I would lazily call, artsy fartsy tartsy images. Coutresy of Seonna Hong and of course, Audrey Kawasaki. Beautiful stuff, really.

School has begun for real. I crashed the contemporary social theory class today. And I think I will be taking that class. I’ve put my bid in, and I wonder if I’m courting my own demise.

Oh well.